Now it may take much longer to be able to play the trombone appropriately and learn how to change notes without playing unwanted glissandos, learning how to deal with trills, speed, alternate positions for better speed or note connectivity, and other things. You can surely find a book or document that will list all the scales with trombone positions (simple google search did it for me just now), but I suggest to you to just learn the correlation and start playing the trombone using your euphonium music (and scales, etc.) and in very short time you will have the connection. Later on, the little nuances and tricks and other things worked themselves in, and it is always good to have a competent teacher show you these more advanced things. I simply learned the correlation between valves and slide positions, then went about playing things that I could play or knew on euphonium on the trombone. Pretty much these line up with the euphonium as well, although much harder to play a sharp 2nd valve than a sharp 2nd position. Of course there are many alternate positions you can play for notes (on both horns), and on the trombone there are things known as sharp 2nd position and other positions that can be played sharp or flat for alternate positions for notes. The trombone slide positions correspond to the euphonium valve selections, that is: I started on trumpet, switched to baritone/euphonium in 8th grade, and learned trombone many years later.
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